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The signs of suffering, to one fainting under the consciousness of itsĪpproach, into the symbol of strength. Then, has the cup to do in his hand ? For no casuistry can convert The word 4 confortans ’ indicates strength and comfort too. Messenger’s office, too, is more defined in the Latin version, where Over-anxious searching, the simple words of Scripture, 4 an angelĪppeared unto Him from heaven, strengthening Him.’ The angelic Indeed drink the very anticipation of which now caused Him suchĪnguish of mind and body. There is theĤ cup of wrath,’ and the 4 cup of salvation,’ and there is, emphati-Ĭally, 4 my cup,’ of which Christ says that all His followers shall The cup, we know, is a frequentįigure in the allegorical language of Scripture. Such a metaphor our Lord employed in the prayer Only to the eye, must be always unsuccessful in interest, and oftenįalse in meaning. Has thought at all on these subjects, that the attempt to render aįigure of speech through the medium of any form of Art addressed It need hardly be observed, to the reader who This may be called the error of arrangement - that of intention Such touching conditions, has been upon the whole disregarded. Of rising to the expression of the divine countenance seen under Thus the opportunity for the highest efforts of religious Art, that Nor does Art itself plead any excuse on the contrary, theįigures of three sleeping men, all doubled up with drowsiness,ĭirectly in front, are a dead weight that would swamp the interest Us with the infirmity of man than with the sufferings of Deity. Lord, and that the object of the painter was rather to impress It is as if our office as spectators concerned the disciples, not the In the centre while in the middle distance, or even in theįigure of Christ in prayer. Lie in front - St Peter usually on the left hand, known by theĨ word, to be drawn in the next scene, in his hand, and St. Of the disciples in the most prominent place. Nevertheless, the prevailing type of this subject takes the eyeīy surprise, by placing, not the Saviour, but the three figures Our Lord’s Person, there-įore, is the prominent feature all others are but accessories. To recognise ‘the Agony.’ There is no other occasion in His

Of Christ alone, under the temple of heaven, prostrate in prayer, The eye in this subject needs but to see the figure Saviour’s life, each with a character of its own, which especiallyįits them as materials for that Art which is intended to be readĪs we run. There is that broad and natural variety in the events of our Let usĮxamine, first, the lesser and comparatively unimportant error of This subject declined, both in arrangement and intention. These were the naive con-Ĭeptions of early times but as Art improved, the treatment of Icpre.-cmatiom Such a metaphor our Lord employed in the prayer Only to the eye, must fee always unsuccessful iu interest, and oftenįa:V* o u arufeg. TOgit ra pf speech tlirough the medium of any form of Art adilre^ed//^ Ho* thought at ail on these subjects, that, the attempt to render iv* It need hardly be observed, to the reader who// This may be called the error of arrangement- that of intention y Of rising to the expression of the divine countenance seen under V/J0įetfeh touching conditions, has been upon the whole disregarded. Llmi} the opportunity for the highest efforts of religious Art, that are a dead weight that would swamp the interegt^'^/f Nop does Art itself plead any excuse on the contrary, theįigure* of three sleeping mien, all doubled up with drowsiness, Us with Jhe infirmity of man than with the sufferings of Deityr^ Lord, and that the object of the painter was rather to impress M It is as tf our office as spectators concerned the disciples, not In the centre while' in the middle distance/ or even in the ^Įxtreme background, is discerned the diminished and subordinate by placing, nut tbo Saviour, but tK$ th gf the- disciples in tlie most, prominent place. ':īfcf ‘of Chriefc aTone, uuder the' temple of heaven, prastme iu prater//^ The Crucifixion with the Maries i ■ »rly times': -:. The Crucifixion with the Virgin, St John, and Saints The Virgin wrapping the Linen Cloth round our Saviour’s Body The Mocking before Caiaphas, and the Denial of our Lord by Peter Information in books and make it universally accessible. This is a reproduction of a library book that was digitizedīy Google as part of an ongoing effort to preserve the John the Baptist and other persons of the Old and New Testament, Volume 2'

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Full text of ' The History Of Our Lord As in works of art: with that of His types St.

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